Gil Evans – Great Jazz Standards (Blue Note Tone Poet)

180-gram LP

Mastered by Kevin Gray at Cohearent Audio from the original master tape

Plated and pressed at RTI

Deluxe gatefold tip-on jacket

Blue Note Records has announced the 2023 line-up for the Tone Poet Audiophile Vinyl Reissue Series. The acclaimed series is produced by the “Tone Poet” Joe Harley and features all-analog, 180-gram audiophile vinyl reissues that are mastered directly from the original master tapes by Kevin Gray of Cohearent Audio.

Tone Poet vinyl is manufactured at RTI in Camarillo, California, and packaged in deluxe gatefold tip-on jackets. The titles were once again handpicked by Harley and include acknowledged treasures of the Blue Note catalog as well as underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz.

The brilliant arranger, composer, and pianist Gil Evans had already collaborated with Miles Davis on Birth of the Cool and Miles Ahead and made his own debut album Gil Evans & Ten for Prestige when he signed with World Pacific Records in 1958 and made the first of two albums for the label: New Bottle Old Wine with featured soloist Cannonball Adderley. The next year Evans was back in the studio to record the follow-up Great Jazz Standards with two different ensembles featuring the likes of trumpeter Johnny Coles, trombonists Curtis Fuller and Jimmy Cleveland, soprano saxophonist Steve Lacy, tenor saxophonist and clarinetist Budd Johnson, guitarist Ray Crawford, drummer Elvin Jones, and others. As the title promises, the album presents a program of great jazz standards leading off with Bix Beiderbecke’s “Davenport Blues,” a showcase for Coles, before launching into a shimmering version of Thelonious Monk’s “Straight No Chaser” where Coles, Lacy, Fuller, and Evans all get the spotlight. A stunning presentation of Fran Landesman and Tommy Wolf’s “Ballad of the Sad Young Men” and a no-nonsense take on Clifford Brown’s “Joy Spring” close out the first side. On the flipside, John Lewis’ “Django” gets an impressionistic arrangement full of surprises, while a modernistic version of Don Redman’s “Chant of the Weed” is a solo vehicle for Johnson’s clarinet. The album culminates with a soaring performance of the Evans original “Theme,” later known as “La Nevada.”

Format : Vinyl Record

1 Lp